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Joined 1 year ago
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Cake day: June 14th, 2023

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  • Hmm. I made no effort to advertise at all. I came during the Rexodus last year after the API kerfuffle. Initially, it seemed promising, and I didn’t think I’d need to, but activity died down quite quickly. I’ve never moderated a community before or anything like that. I certainly don’t want to it to become a full time job. I have enough of those.








  • Not for science fiction literature, guitar pedals, and synthesizers which was primarily what I went to Reddit for in the first place. There was some effort to get those communities going here back during the mass migration here from Reddit, but they’ve never really thrived. It sucks, but I’m not going back. I take a peek at r/synthesizers on occasion, and really it’s just a gaggle of self-promoting synthtubers and umpteen iterations of “what should I buy?”.




  • Underwaterbob@lemm.eetoLemmy Shitpost@lemmy.worldLast channel
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    1 month ago

    In Canada, we had “Bleu Nuit”. It was on at 2am, Saturday night, and played racy French movies. The only problem was the movies ran the gamut from 1.5 hour long naked lesbian makeout to a single scene with boobies somewhere in the middle. You took your chances. I swear there was one that didn’t even show anything (but probably talked about sex. Dunno, I don’t speak much French.)







  • This is most evident when it comes to music. I see loads of older musicians, producers, and listeners constantly trashing new music, when the reality is there is loads of great, new music coming into existence regularly. It’s just harder to find since the tools are so accessible now, everyone and his dog can make a “professional” sounding recording. And then, the top 40 or whatever has always just been the lowest common denominator.